Fox Trot History

The origin of the name of the dance is unclear, although one theory often cited is that it took its name from its inventor, the vaudeville actor Harry Fox. Born Arthur Carringford in Pomona, California, in 1882, he adopted the stage name of "Fox" after his grandfather.

Harry was thrown on his own resources at the age of fifteen. He joined a circus tour briefly and he also played professional baseball for a short while. He was hired to sing songs from the boxes of vaudeville theaters in San Francisco by a music publisher. In 1904 he appeared in a Belvedere Theatre in a comedy entitled "Mr. Frisky of Frisco”. Harry Fox migrated East and finally stopped in New York, After the San Francisco earthquake and the fire of 1906.

In early 1914, Fox was appearing in various vaudeville shows in the New York area. In April he teamed up with Yansci Dolly of the famous Dolly Sisters in an act of Hammerstein's. At the same time, the New York Theatre, one of the largest in the World, was being converted into a movie house. As an extra attraction, the theater's management decided to try vaudeville acts between the shows. They selected Harry Fox and his company of "American Beauties" to put on a dancing act. An article in Variety Magazine stated "Harry Fox will appear for a month or longer at a large salary with billing that will occupy the front of the theatre in electrics".
The dance was first done in 1914, and noticed by the talented husband and wife duo Vernon and Irene Castle, who lent the dance its signature grace and style.

W.C. Handy ("Father of the Blues") notes in his autobiography that Noble Sissle told a story that Handy' s Memphis Blues was the inspiration for the Foxtrot. Jim Europe, the Castles' music director, would play slowly the Memphis Blues during breaks from the fast paced Castle Walk and One-step. The Castles were intrigued by the rhythm and Jim asked why they didn't create a slow dance to go with it. The Castles introduced the "Bunny Hug" in a magazine article. They went abroad and in mid-ocean sent a wireless to the magazine to change the "Bunny Hug" to the Foxtrot. It was later standardized by Arthur Murray, in whose version it began to imitate the positions of Tango.

At its beginning, the foxtrot was originally danced to ragtime. Today, the dance is customarily accompanied by the same big band music to which swing is also danced.

From the late teens through the 1940s, the foxtrot was certainly the most popular fast dance and the vast majority of records issued during these years were foxtrots. The waltz and tango, while popular, never overtook the foxtrot. Even the popularity of the lindy hop in the 1940s did not affect the foxtrot's popularity, since it could be danced to the same records used to accompany the lindy hop.

Over time, the foxtrot split into slow and quick versions, referred to as "foxtrot" and "quickstep" respectively. In the slow category, further distinctions exist between the International or English style of the foxtrot and the continuity American style, both built around a slow-quick-quick rhythm at the slowest tempo, and the social American style using a slow-slow-quick-quick rhythm at a somewhat faster pace. In the context of International Standard category of ballroom dances, for some time the foxtrot was called "Slow Foxtrot", or "Slowfox". These names are still in use, to distinguish from other types of foxtrots.